Caoimhe’s performance skills are world class. She brought life and character to several films I have been involved with, including James Gray’s “We Own the Night” and Conner McPherson’s “The Actors”. Her verve and dedication to the expressive craft of Foley lead to world-class results. The tracks she creates will just fit and will enhance any film.

Michael O’Farrell   Sound Supervisor /Re-recording Mixer   A History of Violence (2005),   Eastern Promises (2007),   The Hurricane (1999)

Michael O’Farrell

Sound Supervisor /Re-recording Mixer

A History of Violence (2005), Eastern Promises (2007), The Hurricane (1999)

“In my role as a Supervising Sound Editor I’ve had the pleasure to work with the very talented Foley artist Caoimhe Doyle on many projects including David Cronenberg’s “Eastern Promises” and the Jon Poll’s cult favorite “Charlie Bartlett”. Her ability to create the perfect sound and her incredible attention to detail on the Foley stage would certainly be a benefit to any production. I highly recommend her and her team!”  

L eslie Shatz   Sound Designer, Re-recording mixer   Making a Murderer (2015),   The Mummy Returns (2001) ,  12 Years a Slave ,  Milk

Leslie Shatz

Sound Designer, Re-recording mixer

Making a Murderer (2015), The Mummy Returns (2001), 12 Years a Slave, Milk

“Caoimhe is a superb Foley artiste super dedicated, creative, energetic and IN SYNC!”

“I’ve worked together with Caoimhe on two animated features; “The Flight Before Christmas” and “Niko 2”. She has a thorough understanding of the whole process of filmmaking and a brilliant ear for details. What she created in her studio did not only “fit” - it gave our animation a new layer of presence and made our computer generated Lapland suddenly feel true and real. It would be a privilege to work with her again in the future!”

Espen Rønning   Re-recording Mixer, Dialogue Editor   The Last King (2016) ,  Kon-Tiki (2012),   Headhunters (2011)

Espen Rønning

Re-recording Mixer, Dialogue Editor

The Last King (2016), Kon-Tiki (2012), Headhunters (2011)

“Caoimhe has great attention to detail and her Foley is rich and textured. At the same time she is impressively fast. She is easy to work and communicate with. Her horse hooves and horse movements are the best I have heard!”

“Working with Caoimhe on The Flight Before Christmas was quite magical. Her lovely “Foley-house” on the lot, was a magical place. The knowledge, experience and heart she put into creating sounds of snow and ice, truly added depth and quality to the movie: From the quiet sensation of a soft fury paw on ice, to a massive avalanche roaring over our heads, her sounds lifted the magical experience of Niko”.